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The film only begins to show signs of life when Monika starts asking Mark to play dead during sex and shows him a family photo album full of dead relatives. There are tedious close-ups of them on a ferris wheel, an unnecessary dating montage and an uncharacteristically dull sex scene. The courtship between Mark and Monika is painfully boring to watch and incredibly drawn out. From this point on, the film loses momentum - mostly due to the fact that nothing really happens apart from Monika meeting Mark at the movies and beginning a relationship with him. The painstakingly detailed depiction of erotic corpse cleaning is textbook Buttgereit. Monika, a nurse with a taste for necrophilia, rescues Robert from his grave and takes him home. After such an eye opening beginning, the film quickly takes on a more solemn tone. The brutal imagery of Robert ejaculating blood while stabbing himself has lost none of its bite. Nekromantik 2 picks up where the original film finished - with Robert pleasuring himself while violently committing suicide with a kitchen knife. Thankfully, Buttgereit plucks enough grim and gross ideas from his wonderfully sick mind to make the film a worthy, if somewhat disappointing, sequel to a true genre classic. Nekromantik 2 is a strangely dour affair the film is slow, affected and a little bit too clever for its own good. It comes as something of a surprise that the sequel is content to re-hash the original - only without the sardonic humour or the perverted sense of romance. The latter film is a superbly original romantic comedy about an unusual love triangle between a woman, her lover and a rotting corpse. Few directors have even come close to producing anything as beautifully depraved as "Schramm", "Der Todeskoenig" or his signature film "Nekromantik".
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Definitely a worthy courtroom drama to try.Joerg Buttgereit's films have their own unique place in horror movie history. And that's essential to the viewer looking for justification for their conclusions as to whether Reece should be executed or not. You get sucked into this strange character of Reece and you keep wondering if this guy is really crazy or was it all just a game? The movie makes it seem like Reece is initially faking it, but then you can't be too sure.
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It does somewhat capture the eerieness evoked by such a brutal serial killer, particularly with intermitten scenes of flashbacks and symbolic scenery. In a case like this, so brutal, and with Charlie Reece (and the real Robert Chase) so wacked, is reform possible? And is it necessary? Those are the issues this film wrestles with, and not easily so. The system itself is one of the arguments against the insanity plea in a case like this. Fraser retorts, asking, so people must die for that? The ultimate question becomes, in Charlie Reece's case, would it be worth it to declare him insane? Especially considering the lack of attention he could possibly be given anyways as he sat drugged up in a mental institution as just another patient. The psychiatrist reasons that Reece should be put in a hospital and studied, that investigators would be able to formulate a profile to prevent future murders. It does nothing for those who died, and it does nothing for him. Fraser can't believe that someone would want to argue that for someone as vicious as Reece, but one psychiatrist, in testifying for the defense says, nothing can be solved if he is dead. The defense argues not guilty by reason of insanity, expecting the plea will keep him from getting a prison sentence (and the death penalty), and instead, get him in a mental institution. Tough in part because of the issue of Reece's mental capacity at the time of the murders. But, these are one of the situations where people are forced to ask: are you opposed to the death penalty in ALL situations? Even Fraser was forced to reconsider his position, after the investigation reveals numerous brutal murders.
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Fraser, however, had previously been staunchly opposed to the death penalty, remarking how had he been in the legislature, he would vote against it.
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Michael Bein is prosecutor Anthony Fraser, who is prosecuting for the death penalty. Both the movie and the case which it is based on bring up an important question about the death penalty. And indeed, he was much more obvious about those peculiarities than the film lets on. Like Charlie Reece, the film version of Chase, Chase had previously been committed to a mental institution, but neither his mother nor the institution seemed to take seriously his condition and peculiar, if not deranged, habits. Rampage is based on the 1978 killings of Robert Chase, Sacremento's "Vampire Killer," aptly named because he drank the blood of his victims, claiming that he believed his blood was poisoned, so he had to kill people for their blood.